мȸ
̱Ҽȸ ȸ Ե鲲,
ȳϼ. ٻ б⸦ ø ˴ϴ.
Ѿб ķ۽ ELLAK ȸ ̱Ҽȸ ˷帳ϴ. ɰ Ź帳ϴ.
: Ѿб ķ۽ ι 404ȣ
ð: 12 15 (ݿ) 09:00-10:30
ȸ: ̼ ()
Race, Mercy, and Black Memoir
ǥ: ()
: п ()
Nature writing in the time of the Anthropocene: Searching for a New Environmental Rhetoric
ǥ: ()
: ȼ ()
Black Literacies and Rethinking the Representations of Black Protests as Violent
ǥ: 輭 (̽ð ָ)
: ν ()
̱Ҽȸ 帲
̱Ҽȸ ȸ Ե鲲,
̱Ҽȸ-뿵̼Ҽȸ мȸ ص帳ϴ.
5 13 1 б ̵ ô С̶ ̱Ҽȸ-뿵̼Ҽȸ мȸ ֵ˴ϴ. ȸ Ե ɰ Ź帳ϴ.
мȸ忡 ˰ڽϴ.
̱Ҽȸ 帲
мȸ α
Ͻ: 5 13 1
: б 7 308ȣ
7 2, 3 ڵ Ȥ 8 λι 1 Թ ø ˴ϴ.
(https://map.naver.com/v5/entry/place/21279279)
13:00-13:45
ȸ: ()
(Rider University)
Crises of the Discipline and Opportunities for Literary Critics in the Era of New Media
14:00-16:00
1 ȸ: ()
â ()
Speculative Mapping and Posthuman Migration: Mourning for the Never-Was
: (ϰ)
()
Elastic Literacy: Meaning Making in the wake of ChatGPT
: п ()
()
縦 ŷ:ҿ並 ϴ ı
: ̽ ()
16:00-18:00
2 ȸ: ()
ָ ()
̵ - ۾ Ѱ
: ̿ ()
Zhu, Jing ()
Real or Hyperreal: Bob Dylans Oral Poetry in the Digital Age
: ̼ ()
翵 ()
Ʈ ؽƮ: а Űƽ ͷƼ
: ȼ ()
̱Ҽȸ ȸ Ե鲲,
ȳϼ.
̱Ҽȸ ȸ Ե鲲 ȫʹб ELLAK ȸ (12 15-12 17) ̱Ҽ ð ˷帳ϴ.
ȸ ̱Ҽȸ 12 17 () 10 45 - 12 15 ȮǾϴ.
ϴ.
: ȫʹб ȫ 5
ȸ: ȯ (ȫʹ)
Patriarchal Nation Building in Viet Thanh Nguyens The Sympathizer
ǥ: ()
: ȸ (λܱ)
A Feminist Rhetorical Reading of Min Jin Lee's Pachinko
ǥ: 丣 ü Ƽ (λܱ) María Fernanda Sánchez Antonetti
: ()
: 㽺 ۳ 뵿
(Scenes of Poverty: Black Sharecroppers and Their Labor in the Works of Zora Neale Hurston)
ǥ: ȿ ()
: س (ȫʹ)
ȸθŭ Ե մϴ.
̷ο Ͽ, Ե鲲 Ͽ ֽñ Ź帳ϴ.
մϴ.
̱Ҽȸ 帲
2022 5 14 () 1ÿ ̱Ҽȸ мȸ մϴ.
̱Ҽȸ ҵ ȭ þ-ũ̳ ߹̶ ȸ ƶ ȿ, ΰ ü Ǵ ϱ ٽ غ Connecting, Networking, and Sharing in the 21st Century ̹ мȸ غϿϴ.
α Ʒ ϴ.
Ե ɰ Ź帳ϴ.
̱Ҽȸ 帲
Ͻ: 2022 5 14 () 1:00-4:00
ȸ: https://kangwon-ac-kr.zoom.us/j/97193692035 ȸ ID: 971 9369 2035
1:00 - 1:10 | ȸ ȸ: ̼ () ȸ: ̵ ȸ () : س ȸ (ȫʹ) |
1:10 - 2:40 | ǥ: 輱 () "From Empathy to Ethical Responsibility: A Postcolonial Rewriting of the Right of the Rightless in Edwidge Danticats Brother, Im Dying" : () ǥ: () "The Gig Economy, Gig Existence, and Gig Narratives in Hilary Leichters Temporary" : (ѱܴ) ǥ: () "Consciousness and Haecceity in the Age of Distributed Computing: Through Readings of Altered Carbon and Ancillary Justice" : â () |
2:40 – 3:10 | ȸ: ȼ () |
3:10 – 4:00 | ȸ ȸ: ּҴ ѹ (ִ) ̼ () ȸ ̵ ȸ () |
Ͻ: 2021 8 21 () 1
¶ Zoom ȸ ּ :
https://us02web.zoom.us/j/82964284078
ȸ ID: 829 6428 4078
:
¶ ȸǽ λ 1:00 - 1:10
ȸ: س ȸ (ȫʹ)
ݷ: ȸ ()
1 1:10 – 2:40
ȸ: ()
1) : ()
: ƾ ó 뿹 Ĺ
: ҿ ()
2) : ()
Shame and the Confessional Mode in James Baldwins Giovannis Room
: (ſ)
3) : ּ (ȫʹ)
Reading The Great Gatsby in Tehran:
ķþƿ ̵ ()μ ߽
: ()
2 2:50 - 3:50
ȸ: ()
4) : (λܴ)
Ŭ ó ȸ:
(Re-memory) Ű 丮ڸ ߽
: (Ǵ)
5) : ̽ (ѹ)
Postcolonial Ethics in Ken Lius Short Stories
: ȼ ()
3 3:55 - 4:25
ȸ: ȯ (ȫʹ)
4 ȸ 4:25 – 5:00
ȸ: ȸ (λܴ)
: ()
Ͻ: 12 17 ȭ 10 45 – 12 15
: Ǽ
ǥ:
"ũ ȭ(A Fable) ü ǹ"
"War and 'Deconstruction of Christianity' in William Faulkner's A Fable"
迹
"Father Earth Hates Us": The Uncanny Planet of The Broken Earth Triolgy
() Joohee Seo
"Between Marriage and the Market: The Miscegenous Daughters in William Wells Brown's Clotel"
: Ȳ(), (), س (ȫʹ)
ȸ: ֿ (õ)
Ͻ: 2019 5 18 1
: б ̱п
б ι 8 301ȣ
̱Ҽȸ 2019 мȸ α
1:00 - 1:30:
1:30 – 1:40: ȸ 켺 ȸ(), س ȸ(ȫʹ)
1:40 – 3:10: 1
ȸ: ̵ ()
ǥ: (հ), (), μ (ȭ), ȼ (), (ȭ)
3:10 – 3:30:
3:30 – 5:00: 2 ̺
ȸ: 켺 ()
ǥ: (߾Ӵ), (), ̽º (Ǵ), ȯ (ϴ)
5:00 – 5:30: ȸ:
ȸ ֿ ѹ̻(õ)
2018 100ֳ ȸ ȸ ̱Ҽȸ
: ̴ ̷а ̱
Ͻ: Friday, December 14, 2018
: American Fiction Association of Korea I(Centennial Hall 701-C)
ǥ |
ǥ |
ȼ() | The Humanism of Ted Chiangs Posthuman Stories |
ȯ() | Intermediality, Trauma and 9/11 in Jonathan Safran Foer's Extremely Loud & Incredibly Close |
迹() | Pixelated Ravens and Interactive Madness: The Last Door and the Legacy of Edgar Allan Poe in Video Games |
Discussants | 强(߾Ӵ) ֿ(õ) â() |
() | The Humanism of Ted Chiangs Posthuman Stories |
ȸ(λܴ) | Racialized Experience and Model Minority Myth in Julie Otsuka's When the Emperor was Divine |
Ȳ(Ѽ) | Rupturing Salem, Reconsidering Subjectivity: Tituba, the Witch of Infinity in Condés I, Tituba, Black Witch of Salem |
Discussants | ν(ݿ), (߾Ӵ), (ѱܴ) |
2018 ̱Ҽȸ мȸ
: ̴ ̷а ̱
Ͻ: 2018 5 12() 2-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
() |
"ü, , : Ʈ̴ ɰ ġ" : (, <̴ Ʈ> ), () |
ڹ̼ (ѽŴ) | " ̴ϽƮ 帮 ε ̷" : () |
ȿ (̰ ) |
"ѱ ̱ : Ŵ(Willyce Kim) <Ƽũ Ա> : (ѱܴ) |
2017 ̱Ҽȸ мȸ
Ͻ: 2017 5 27 () 2-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
۽¹ () | Sin, Confession, and Resistance: the Thematic Homologies between The Turn of the Screw and A Portrait of the Artist as a Young Man : (Ѱ) |
̽ (ħʽд), | Benevolent White Feminity and Empire in William Wells Browns Clotel : (DZ) |
() | ε塻(ڸ ī 2006) : ȭ ߹ȭ ̺й Ѿ : 뵿 () |
Ȳ () | Working Toward Whiteness: Jewish Social Mobility in Philip Roths Goodbye, Columbus : ± (ִ) |
2016 мȸ Ǽ ̱Ҽȸ
2016 10 мȸ
Ͻ: 2016 10 15 () 2-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
() | ȸ ڱ α ȸ ι: Ǫ ߽Ρ : ֿ (ѱ̽) |
() | Ѷ ̾ ڼ Ÿ ü |
س (ȫʹ) | |
(泲) | Working Machines versus Living Organisms in Stowes Oldtown Folks |
ѱ (ϴ) |
2015 мȸ λ BEXCO Ȧ ̱Ҽȸ+ȸ
2015 05 мȸ
: ̱ ν,
Ͻ: 2015 5 16 () 1-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
(泲) | Theories of Light and Colors in Emersons Transcendental Optics |
ѱ () | νķа : ǿ |
̽ (Texas A & M), () | |
() | " ũ ȿ Ÿ ȯ(circle) ǹ" |
() | "ȣ Ƶп 巯 Ƶ, , " |
(ȭ), (DZ) |
2014 07 м [̱Ҽ] 21 2ȣ ߰
2014 мȸ ȭ Zȭ ̱Ҽȸ
2014 05 мȸ
:
Ͻ: 2014 5 24 () 1-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
() | Ǿ : ڸ ƺ硻 |
(DZ) | |
̰(ִ) | M. å¡ Ÿ : ð 縦 縦 ߽ |
± (ִ) | |
ѱ() | Ʋ , Ȥ ġ |
() | |
(Ǵ) | Invisible Empire in Flannery OConnors The Displaced Person: Southern Dynamics of Race, Miscegenation and Anti-Catholicism |
ȲƼ( ) |
2013 05 мȸ
Ͻ: 2013 5 25 () 1-6
: ̱Ҽȸ, ߾Ӵб ̾ȭ
ǥ |
ǥ |
(ѱܴ) | ѱ ̱ : ̱Ҽȸ ̷() |
̱(Ǵ) | "ũ Ʈ ڳƼ Ű: ũ м" |
(), () | |
() | @ƴ/Ʈ: ȿ г롻 Ÿ ΰ顱 |
(ô) | " ں ð Ϻ ̱ б: ī 뺸̡ ī ҳǡϼ 须 ߽" |
(Ѹ), ȯ(KAIST μ ѱпб) |
2011 06 мȸ
: 19⡯ ϰ 20⡯ ١
Ͻ: 2011 6 4 1-6
: ڴб ̸ 426ȣ
ǥ |
ǥ |
̿ȭ(ȫʹ) | The Fall of the House of Wieland: Love of God vs. Love of Self in Charles Brockden Brown'sWieland |
ȯ() | ȣ ϰ ڰ Ÿ ȯ |
(), () | |
() | 尡 ٷ Ÿ ɼ |
ذ() | Humanity, Humanness, and Slave Trading in Benito Cereno |
(), ±(ִ) |
2007 06 м [̱Ҽ] 14 1ȣ м ߰.
2007 мȸ λ ؿ ȭܵ ̱Ҽȸ+ȸ
2008 мȸ DZб 㿬 ̱Ҽȸ+DZб
2008 мȸ ¾ȣ ̱Ҽȸ+ȸ
2009 мȸ ̸ 426ȣ ̱Ҽȸ
2010 01 2010 м ̱Ҽ 3ȸ ߰
2007 ̱Ҽȸ мȸ
: , , ƽ (Race, Nation and Diaspora)
Ͻ: 2007 5 26(): 13:20-18:00
: DZб 302ȣ
ǥ |
ǥ |
(뱸) | "н, : ӽ W. - ڼ" |
ϼ(δ) | "Zora Neale Hurston μ, ǽ " |
() | Unfinished War against Whites: Sherman Alexie's Use of Humor, Wit and Imagination in Lone Ranger and Tonto Fistfight in Heaven |
() | Heinz Insu Fenkle |
ȯ(ϴ), (ȣ), (д), () | |
ӿ (ȴ) | Ormond Ÿ ÿ ¡ |
" ӽ The Golden Bowl: ؼ ǥμ Ȳ ֹ" | |
̵(ѱܴ) | "̺ Ű: Ǿ "He, She, and It" ƮӴ |
ؿ(), (Ѱ), ȣ() |
2006 11 мȸ
: ؽƮ ؽƮ: ٽ ſǿ ̱Ҽ
Ͻ: 2006 11 4
: 밭ǵ 203ȣ
ǥ |
ǥ |
ں() | " ٽ : ̷ μ Ŭ ǰ ߽" |
ȯ(λ) | Houses That Race Built : House, Community, and Exeess in fants fo the Spring and Beloved" |
ҿ(δ) | "Willa Cather ι : ؼ м ؼ " |
̼(ȣ), (), ȵ(←) | |
س() | " Ÿι ΰ 尡 ϴ ü ġ(displacement) " |
ؿ(ѱܴ) | "簡μ Ҽ: мҽǡ߱(U.S.A) Ÿ " |
̰(ȭ) | "ӽ ̽ (Mason Dixon) Ÿ 缺 ؽƮ" |
() | " ϵ " Ƽ ֺ ߽" |
Ȳġ(ִ), Ȳ(), ȯ(), () |
2006 06 мȸ Ͽ ȸ мȸ() <̱Ҽ >̶ Ͽ .
2005 12 м 12-2ȣ ߰
2005 11 2005 мȸ-̱Ҽ Ÿ Ѽб ̷ ȣհ̱Ҽȸ
2005 06 ȸ [ȣհ ̱Ҽ ] 12-1ȣ ߰
2005 мǥȸ ִб հǵ ̳
2005 04 мǥȸ б , ȣհ ̱Ҽȸ ̱Ҽȸ ǥ ǰ.
2005 ѱȸ ܿ ȸ б +ȣհ̱Ҽȸ
2004 12 ȸ [ȣհ ̱Ҽ ] 11-2ȣ ߰
2004 11 мȸ б ǰ п ̳ǿ ȸ .
2004 11 мǥȸ б ڰ
2004 06 ȸ [ȣհ ̱Ҽ ] 11-1ȣ ߰
2004 06 мȸ ڴб
2003 12 ȸ [ȣհ ̱Ҽ ] 10-2ȣ ߰
2003 11 мǥȸ DZб 䵵 6 ȸǽǿ
2003 06 ȸ [ȣհ ̱Ҽ ] 10-1ȣ ߰
2003 мǥȸ û Ƽ̵ ұ ѱȣȸ+û
2003 01 ѱȸ ܿ мǥȸ (泲 ƻ ¾ȣ)
2002 12 ȸ [ȣտ] 9-2ȣ ߰
2002 11 мǥȸ ȣб ̱Ҽ мȸ
2002 06 ȸ [ȣտ] 9-1ȣ ߰
2002 06 мǥȸ ϴб Źȭ 1 ȸǽǿ
2002 01 ѱȸ ܿ мǥȸ (泲 ƻ ¾ȣ)
2001 11 мǥȸ б 7 ̳ǿ
2001 мǥȸ ߺδб 溹(4ǵ) ̳(C4-B111ȣ) ѱȣȸ+ߺδб
2001 05 ȸ [ȣտ] 8ȣ ߰
2001 03 ȸ Ȩ(http://hawthorne.or.kr)
2001 02 ѱȸ 2001 мǥȸ
2000 12 ['ȫ' ] ѽŹȭ翡 Ⱓ
2000 11 мǥȸ ڴб 밭ǵ 203ȣ
2000 05 ȸ [ȣտ] 7ȣ ߰
2000 мǥȸ Ŵб Ű Ȧ ѱȣȸ
2000 01 ȭ ȣƮ ѱȸ мǥȸ
1999 11 мǥȸ б ǰ 101ȣ ǽǿ
1999 05 ȸ [ȣտ] 6ȣ ߰
1999 мǥȸ ȣб û ѱȣȸ
1999 01 ѱȸ 4ȸ ܿ
1998 10 мǥȸ δб мȸ忡
1998 05 ȸ [ȣտ] 5ȣ ߰
1997 11 мǥȸ б ̳ǿ
1997 05 ȸ [ȣտ] 4ȣ ߰
1996 11 мǥȸ δб мȸ忡
1996 05 мǥȸ Ѿб Ȼķ۽ ְ濵ڹ ȸǽǿ
1995 11 мǥȸ ߾Ӵб ȸǽǿ
1995 05 ȸ [ȣտ] 3ȣ ߰
1993 02 ȸ [ȣտ] 2ȣ ߰
1988 06 ȸ [ȣտ] âȣ ߰